MAC LFW S/S ’13 Daily Face Chart: Sunday, September 16th for Jonathan Saunders, Marios Schwab, Mary Katrantzou, Phillip Treacy and Vivienne Westwood Red Label

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Jonathan Saunders

FACE

COMPLETE COMFORT CREME — massaged into skin to nourish and hydrate.
MINERALIZE CONCEALER — used where needed to perfect.
M·A·C PRO INVISIBLE SET POWDER — swept through the middle of the face to polish and set.
HUSH CREAM COLOUR BASE — blended over high points to highlight.

EYES

GRAPHBLACK TECHNAKOHL EYELINER — blended through the lashes and a round the eye, slightly thicker at the outer corners, and then smudged with a fingertip to create a “ morning after” look with a punky feel.
BLACKTRACK FLUIDLINE — painted into the root of the lashline.
OMEGA, COQUETTE, COPPERPLATE, OR TYPOGRAPHIC EYESHADOWS  —
appropriately chosen and used to lightly fill and perfect the brow.
CLEAR BROW SET — brushed through the brow to polish and groom.

LIPS

LIP CONDITIONER — patted into lips to nourish and hydrate.
BURGUNDY LIP PENCIL — used to shape, define, and fill the entire lip.
CLEAR LIPGLASS — applied for a glossy finish to lips.

*****

Marios Schwab

FACE

STUDIO MOISTURE FIX SPF15 — massaged lightly into skin to nourish and hydrate.
MINERALIZE MOISTURE FLUID SPF15 FOUNDATION  (AVAILABLE SPRING/SUMMER 2013) — lightly applied to even and tone, keeping skin fresh but raw.
M·A·C PRO NATURALLY DEFINED SCULPTING CREAM (AVAILABLE AUTUMN/WINTER 2012) — applied in a diagonal under cheekbone with 188 Small Duo Fibre Face Brush to softly sculpt.
PEARL OR HUSH CREAM COLOUR BASE — appropriate shade chosen and blended across cheekbones and bridge of nose for a subtle highlight.
PREP + PRIME TRANSPARENT FINISHING POWDER — swept through the middle of face to set and polish.

EYES

M·A·C PRO BLACK CREME LINER — Upper eye area: moistened with a bit of Fix+ and drawn with 209 Eyeliner Brush both above and directly into the socket to create a floating effect to the line.
Lower eye area: drawn under the lashline and lower lashes, following the natural shape
to the eye and extending outwards to elongate.
M·A·C PRO BLACK BLACK CHROMAGRAPHIC PENCIL — layered over Black Crème Liner to create a rubbery effect to the line.
CARBON EYE SHADOW — Upper eye area: used through the socket to diffuse Black Crème Liner.
Lower eye area: pressed into the line with either the 214 Short Shader or 227 Large Fluff Brush and allowed to drop slightly underneath.
CLEAR BROW SET — Brows are brushed upwards diagonally and set.
Lashes are curled and left bare.

LIPS

LIP CONDITIONER — applied to nourish and hydrate lips, providing a clean, natural finish.

*****

Mary Katrantzou

FACE

MINERALIZE MOISTURE FLUID SPF 15 FOUNDATION (AVAILABLE SPRING/SUMMER 2013) — blended into skin to even and tone.
MINERALIZE CONCEALER — used as needed to perfect skin.
M·A·C PRO PURE SCULPTURE SCULPTING CREAM (AVAILABLE AUTUMN/WINTER 2012) — blended under the cheekbone for a soft contour.

EYES

CLEAR BROW SET — brushed through brows to polish and groom.
M·A·C PRO MARINE ULTRA CHROMAGRAPHIC PENCIL — drawn with precision through the upper lashline and over the eyelid, extending the eye with a feline lift.
M·A·C PRO BLUE AND CRIMSON LIPMIX — blended and layered over Marine Ultra Chromagraphic Pencil for a slick, inky blue finish to lids.

LIPS

LIP CONDITIONER — patted into the lip to hydrate and provide a clean, natural finish.

NAILS

FAINT OF HEART AND DELICATE — (depending on the hand skin tone). And super glossy for this show.

*****

Phillip Treacy

FACE

STUDIO MOISTURE FIX SPF 15 — massaged into skin to nourish and hydrate.
MATCHMASTER SPF 15 FOUNDATION — blended over skin to even and tone and provide a more matte finish.
M·A·C PRO BLOT POWDER LOOSE — swept over the face to set and polish.

EYES

M·A·C PRO GLOSS TEXTURE — applied over the eye for a glossy effect, adding a feminine edge to the look.
CLEAR BROW SET — brushed through brows to polish and groom.
Lashes are bare.

LIPS

CLEAR LIPGLASS — applied over lips for a striking glossy mouth to finish the look.

*****

Vivienne Westwood Red Label – Look One

FACE

COMPLETE COMFORT CREME – massaged into skin to nourish and hydrate.
STUDIO SCULPT SPF15 FOUNDATION — applied with 188 Small Duo Fibre Face Brush and mixed with a chosen shade of M·A·C PRO Acrylic Pa int, such as Primary Yellow, to create a pastel “ milky macaroon” tone of perfection over skin.
M · A· C PRO INVISIBLE SET POWDER – swept over skin to polish and set.

EYES

M·A·C PRO HI – DEF CYAN CHROMALINE — “stamped” over the eye in a block but “painted” way, keeping it “artily even.”
BLACKTRACK FLUIDLINE — drawn around eyes with 209 Eyeliner Brush to define in an uneven, feline shape, both fluid and choppy in execution.
210 PRECISE EYELINER BRUSH — used with Blacktrack Fluidline to paint brows in a Pop Art inspired style.
HAUTE & NAUGHTY BLACK MASCARA — generously applied through both upper and lower lashes.

LIPS

Lip shade was chosen to purposefully clash against skin: warm-toned lip against a cool-toned skin and a cool-toned lip against warm-toned skin.
M·A·C PROCESS MAGENTA CHROMALINE OR  M·A·C PROCESS MAGENTA ACRYLIC PAINT — slightly over drawn on lips, but in an exquisite, beautiful shape.

*****

Vivienne Westwood Red Label – Look 2

FACE

COMPLETE COMFORT CREME – massaged into skin to nourish and hydrate.
STUDIO SCULPT SPF15 FOUNDATION — applied with 188 Small Duo Fibre Face Brush and mixed with a chosen shade of M·A·C PRO Acrylic Paint, such as Process Magenta,
to create a pastel “milky macaroon” tone of perfection over skin.
M·A·C PRO INVISIBLE SET POWDER — swept over skin to polish and set.

EYES

M·A·C PRO HI-DEF CYAN CH R O M A L I N E — unevenly “stamped” over the entire eye in a “painted” way, keeping it “artily even.”
BLACKTRACK FLUIDLINE — drawn a round eyes with 209 Eyeliner Brush to define in an uneven, feline shape, both fluid and choppy in execution.
210 PRECISE EYELINER BRUSH — used with Blacktrack Fluidline to paint unsymmetrical brows in a Pop Art inspired style.
HAUTE & NAUGHTY BLACK MASCARA — generously applied through both upper and lower lashes.

LIPS

Lip shade was chosen to purposefully clash against skin: warm-toned lip against a cool-toned skin and a cool-toned lip against warm-toned skin.
M·A·C PROCESS MAGENTA CHROMALINE OR  M·A·C PROCESS MAGENTA ACRYLIC PAINT — slightly over drawn on lips, but in an exquisite, beautiful shape.

*****

Vivienne Westwood Red Label – Look 3

FACE

COMPLETE COMFORT CREME – massaged into skin to nourish and hydrate.
STUDIO SCULPT SPF15 FOUNDATION — applied with 188 Small Duo Fibre Face Brush and mixed with a chosen shade of M·A·C PRO Acrylic Paint, such as Pure White,
to create a pastel “milky macaroon” tone of perfection over skin.
M·A·C PRO INVISIBLE SET POWDER — swept over skin to polish and set.

EYES

M·A·C PRO HI-DEF CYAN CH R O M A L I N E — unevenly “stamped” over the entire eye in a “painted” way, keeping it “artily even.”
BLACKTRACK FLUIDLINE — drawn a round eyes with 209 Eyeliner Brush to define in an uneven, feline shape, both fluid and choppy in execution.
210 PRECISE EYELINER BRUSH — used with Blacktrack Fluidline to paint unsymmetrical brows in a Pop Art inspired style.
HAUTE & NAUGHTY BLACK MASCARA — generously applied through both upper and lower lashes.

LIPS

Lip shade was chosen to purposefully clash against skin: warm-toned lip against a cool-toned skin and a cool-toned lip against warm-toned skin.
LADY DANGER LIPSTICK — slightly over drawn on lips, but in an exquisite, beautiful shape.

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Brooke

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